Cinema Brasileiro na Época da Embrafilme: Penetração de Mercado Através da Ação do Estado
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Published:
Jan 15, 2005
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Abstract
Para o cinema brasileiro, a Embrafilme representa a consolidação das ações do Estado sobre a política cultural voltada principalmente à produção, distribuição e exibição das produções fílmicas nacionais. Forma de se manter a presença dos filmes nacionais em um mercado há muito dominado pelo que vem de fora. Forma, também, de posicionar tais produções audiovisuais no centro da questão cultural nacional. A mudança do processo político representado pelo fim da ditadura militar e ascensão de uma ideologia mais liberal culminou com o fechamento deste órgão, dentre outros ligados à cultura nacional. Este panorama determinou uma herança trágica para o cinema nacional no início da década de 90 – praticamente a paralisação total das produções nacionais, até o advento de outros mecanismos que incentivassem sua retomada.
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How to Cite
Campos, R. de. (2005). Cinema Brasileiro na Época da Embrafilme: Penetração de Mercado Através da Ação do Estado. Revista Brasileira Multidisciplinar, 9(1), 157-165. https://doi.org/10.25061/2527-2675/ReBraM/2005.v9i1.292
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Authors are allowed and encouraged to publish and distribute their work online (eg in institutional repositories or on their personal page) at any point before or during the editorial process, as this can generate productive changes as well as increase the impact and citation of the published work (See The Effect of Free Access) at http://opcit.eprints.org/oacitation-biblio.html
